Christopher Wool exhibition poster, Solomon R. Guggenheim Museum, New York, 2013. Out of print
Original offset lithograph poster designed by contemporary artist Christopher Wool in conjunction with his 2013 retrospective exhibition, Christopher Wool at the Guggenheim Museum, New York
Dimensions: 25” x 33.5”
In excellent condition
Paintings and Works on Paper
Christopher Wool, Thomas Locher and Claudia Hart
Year: 1989-90
Medium: Offset lithograph Size: 28.0 cm (w) x 43.0 cm (h)
Description:
Original folded condition, some yellowing at edges and creases where folded. Extremely rare original exhibition poster (offset lithograph on white paper), for the show at Trans Avant-Garde Gallery (now Jack Hanley Gallery) in Austin, Texas in 1989 – 90 by Christopher Wool (significant contemporary American artist), Thomas Locher (German) and Claudia Hart (American).
TAUBA AUERBACH ORIGINAL 2007 EXHIBITION POSTER
Original poster for Auerbach's 2007 exhibition at the Jack Hanley gallery in San Francisco
Dimensions: 14" x 20”
In excellent condition
Original poster for Frances Stark - Put a Song in Your Thing
Love it
Dimension: 36” x 24”
In excellent condition
Original poster designed by Otl Aicher in 1972. Offset lithograph on white wove paper
Rare
Dimensions: 33" x 46.75"
In overall good+ condition. Small tears on edge and corners (please see photos for reference)
"The Dirt" by Asha Schechter and Laura Owens - The Dirt - Original poster
Dimensions: 16.75” x 21.5"
In excellent condition
Poster from the first Alliance Graphique Internationale exhibition in the United States
“These are sixty-five self portraits done by participants of the First Exhibition of the Alliance Graphique Internationale held in the United States.”
Extremely rare
Self portraits include but not limited to: Pierre Boucher, Roger Excoffon, Hermann Eidenbenz, Herbert Kapitzki, Anton Stankowski, F.H.K. Henrion, Hans Schleger, Erberto carbooni, Franco Grignani, Giovanni Pintori, Albe Steiner, Yusaku Kamekura, Takashi Kon, Hiroshi Ohchi, Jan Bons, Wim Crouwel, Wil Sandberg, Otto Treumann, Olle Eksell, Donald Brun, Karl Gerstner, Herbert Leupin, Celestino Piatti, Kurt Wirth, Saul Bass, Herbert Bayer, Lester Beall, Joseph Binder, Will Burtin, Ivan Chermayeff, Rudolp de Harak, Milton Glaser, matthew Leibowitz, Herb Lubalin, Paul rand, Alex Steinweiss, Bradbury Thompson, George Tscherny
In good condition with creases from original folds. No tears. no rips
The Thing Quarterly Issue 19
David Shrigley Prepare for Your Journey silkscreened on white 65 lb. paper
Dimensions: 18” x 24”
In excellent condition
The Thing Quarterly Issue 19
David Shrigley It Wasn’t My Idea silkscreened on white 65 lb. paper
Dimensions: 18” x 24”
In excellent condition
Original poster from Looking at Music 3.0 MoMA, 2011
Artwork by Kathleen Hanna
Dimensions: 22” x 28”
In excellent condition
From MoMA’s website:
”Looking at Music 3.0, the third in a series of exhibitions exploring the influence of music on contemporary art practices, focuses on New York in the 1980s and 1990s. In this dynamic period, imaginative forms of street art spread across the five boroughs, articulating the counter-culture tenor of the times. As the city transitioned from bankruptcy to solvency, graffiti, media, and performance artists took advantage of low rents and collaborated on ad hoc works shown in alternative spaces and underground clubs. Appropriation, also known as remixing, thrived. Approximately 70 works from a wide range of artists and musicians will be on view, including works by the Beastie Boys, Kathleen Hanna and Le Tigre, Keith Haring, Christian Marclay, Steven Parrino, Run DMC, and Joanie 4 Jackie, a video chain letter founded by Miranda July.”
Rare, original poster from Looking at Music 3.0 MoMA, 2011
Artwork by Kim Gordon
Dimensions: 22” x 28”
In excellent condition
From MoMA’s website:
”Looking at Music 3.0, the third in a series of exhibitions exploring the influence of music on contemporary art practices, focuses on New York in the 1980s and 1990s. In this dynamic period, imaginative forms of street art spread across the five boroughs, articulating the counter-culture tenor of the times. As the city transitioned from bankruptcy to solvency, graffiti, media, and performance artists took advantage of low rents and collaborated on ad hoc works shown in alternative spaces and underground clubs. Appropriation, also known as remixing, thrived. Approximately 70 works from a wide range of artists and musicians will be on view, including works by the Beastie Boys, Kathleen Hanna and Le Tigre, Keith Haring, Christian Marclay, Steven Parrino, Run DMC, and Joanie 4 Jackie, a video chain letter founded by Miranda July.”
John Baldessari - Necessary Facts
Original poster from Marian Goodman Gallery
Dimensions: 18” x 18”
In excellent condition
Eunice Luk (Slow Editions) - Eight to Seven, 2015
Out of print. Screen-print. Hand-signed edition 2 of 40
Dimensions: 18” x 24”
In excellent condition
“The Electric Circus was a nightclub and discotheque located at 19–25 St. Marks Place between Second and Third Avenues in the East Village neighborhood of New York City, from June 1967 to September 1971.
As far as I can tell, this experimental typeface was developed by Chermayeff & Geismar [update: later confirmed by the firm on Twitter]. In a way, it presages the photocopier distortion that became common in the 1970s–90s. I don’t yet know the typeface’s name, and perhaps it was exclusive to C&G. The cover for Lou Reed’s Transformer album used a very similar face, which is fitting since The Velvet Underground was a fixture at The Electric Circus. Digital fonts in this genre include Double Vision (clearly inspired by this film font) and Alphabat.”
https://fontsinuse.com/uses/6663/the-electric-circus-posters-flyers-ads
"Reprinted in 2017 by the AIGA to Celebrate the 50th Anniversary of the Electric Circus and the 60th Anniversary of the Designers Chermayeff & Geismar & Haviv."
Dimensions: 19” x 28.5”
Signed in the lower right-hand corner by Tom Geismar
Original Blue Screen Print
Hand-signed on back.